THE DEATH OF DAVID BOWIE: BRIAN MAY'S MARTIAN SPIDERWEB OF LIES

A visibly tense May smugly smirks at deceased legend David Bowie with his synthetic humanoid lackey by his side. 

THE UNEXPECTED DEATH OF MUSIC LEGEND DAVID BOWIE ON JANUARY 10TH, 2016 CAME AS A SHOCK TO DEVASTATED FANS AROUND THE GLOBE --- BUT THE SUBSEQUENT ACTIONS OF DEMONIC FLESH VESSEL "DR." BRIAN MAY, C.B.E WERE NO SURPRISE TO WTYS, IN TYPICAL FASHION, MAY BEGAN MAKING THE UPSETTING LOSS ALL ABOUT HIMSELF BEFORE BOWIE'S BODY EVEN HAD A CHANCE TO COOL BY IMMEDIATELY RUNNING TO THE MIRROR WITH A RAMBLING, SELF-AGGRANDIZING FRAUDULENT FAIRY-TALE IN WHICH MAY RECOUNTS THE SUPPOSED STORY OF BOWIE'S COLLABORATION WITH QUEEN ON THE HIT TRACK "UNDER PRESSURE". LUCKILY, YOUR EXPERT OPINION ADVISERS AT WTYS ARE BACK TO UNRAVEL PERMO'S INSIDIOUS WEB OF DECEIT - PARCEL BY EVIL PARCEL.

[YOU CAN READ THE ENTIRETY OF THE DEMENTED FEVER DREAM WHICH MAY HAS PRESENTED AS "FACT" HERE: http://www.mirror.co.uk/3am/celebrity-news/brian-tells-how-david-bowie-7161073]

BM'S VERSION:


"But we only hooked up properly because of a coincidence. We all happened to be in a sleepy little town called Montreux in Switzerland at the same time.David Bowie had actually settled in Switzerland to live, very close by, and since we already knew him a little, he popped in to say hello one day while we were recording.
Now time dims the memory a little (LOL -- THAT'S QUITE THE UNDERSTATEMENT, BRI!), but the way I remember it we all very quickly decided that the best way to get to know each other was to play together."


WHAT ACTUALLY HAPPENED:
 
"May remembers that Bowie lived near the studio and that they “went out for a meal or some drinks or something.” This may well be, but he doesn’t tell us that Bowie originally joined the band in the studio to sing backing vocals for an eventually scrapped R&B song called “Cool Cat.”" [SOURCE: 
http://www.openculture.com/2014/06/the-making-of-under-pressure.html]


BM PAINTS A FALSE IMAGE OF BOWIE JUST COINCIDENTALLY POPPING INTO THE STUDIO FOR A QUICK HELLO, WHEN IN FACT HE WAS THERE TO RECORD VOCALS FOR "COOL CAT". 




BM'S VERSION:


"We all brought stuff to the table, and my contribution was a heavy riff in D which was lurking in my head."


WHAT ACTUALLY HAPPENED:


IN TRUTH, MAY'S RIFF HAD GONE FAR BEYOND "LURKING AROUND IN HIS HEAD" AT THE TIME OF THE RECORDING  OF "UNDER PRESSURE"  --- IT HAD ALREADY BEEN USED IN QUEEN'S "FEEL LIKE" DEMO.




BM'S VERSION:


"But what we got excited about was a riff which Deacy began playing, 6 notes the same, then one note a fourth down."


WHAT ACTUALLY HAPPENED:

THE GENERALLY ACCEPTED STORY OF THE "UNDER PRESSURE" BASS-LINE'S ORIGIN IS THAT JOHN DEACON HAD CONCEIVED OF IT PRIOR TO BOWIE JOINING QUEEN IN THE STUDIO - YET DR. MAYHEM SEEMS TO IMPLY THAT IT WAS THE SPONTANEOUS RESULT OF THE "UNDER PRESSURE" JAM SESSION.

"There has been some confusion about who created the song's bassline. John Deacon said (in Japanese magazine Musiclife in 1982, and in the previously mentioned French magazine) that David Bowie had created it. In more recent interviews, Brian May and Roger Taylor have credited the bass riff to Deacon. Bowie, on his website, said that the bassline was already written before he became involved.[13] Roger Taylor, in an interview for the BBC documentary Queen: the Days of Our Lives, stated that Deacon had indeed created the bassline, stating that all through the sessions in the studio he had been playing the riff over and over; he also claims that when the band returned from dinner Deacon had, amusingly, forgotten the riff, but fortunately Taylor was still able to remember it. (TAYLOR MUST'VE BEEN DUE FOR SOME RE-PROGRAMMING DURING THAT GLITCH)[14] However, Brian May contradicted this account in a 2016 Mirror Online article, writing that Bowie, and not Taylor, had inadvertently changed the riff." [SOURCE: https://en.wikipedia.org/wiki/Under_Pressure]


BM'S VERSION:


"But suddenly hunger took over and we repaired to a local restaurant for food and a fair amount of drink. (Local Vaux wine as drunk in Montreux is a well-kept secret).
A couple or three hours later, we’re back in the studio. “What was that riff, you had, Deacy?” says David B. “I was like this”, says John Deacon.
“No it wasn’t, says Bowie – it was like this”.
This was a funny moment because I can just see DB going over and putting his hand on Johns fretting hand and stopping him. (CAN YOU REALLY, BM? BECAUSE THAT ABSOLUTELY NEVER HAPPENED.)
It was also a tense moment because it could have gone either way.
Deacy did not take kindly to being told what to do, especially by physical interferences while he was playing!
But he was good natured, and it all went ahead."


WHAT ACTUALLY HAPPENED:


CONTRARY TO MAY'S AUDACIOUS AND DOWNRIGHT BIZARRE CLAIMS THAT BOWIE PUT HANDS ON JOHN DEACON IN A THREATENING MANNER DURING AN ALLEGED, SUPPOSED ALTERCATION OVER THE FAMOUS BASSLINE, THE REALITY IS THAT MAY HIMSELF IS THE ONE WHO "CORRECTED" DEACON.

"And that bassline? Everyone recalls that John Deacon himself came up with it. But Deacon, ever modest, credited it to Bowie in a 1984 interview. In either case, Deacon apparently forgot the riff, and May had to remind him of it—a funny moment you can hear above in a recording of studio sessions for the song. " [SOURCE: http://www.openculture.com/2014/06/the-making-of-under-pressure.html]

THERE YOU HAVE IT, DEAR READERS --- THE SMOKING GUN. 

JEALOUSY ISSUES

May puts his Salieri Complex on full and frightening display with a thousand-yard Machiavellian stare as his trademark poodle perm modestly blends in with the background.
IT DIDN'T TAKE MUCH DIGGING TO COME TO THE REALIZATION THAT MAY'S TRUE FEELINGS ABOUT BOWIE WEREN'T ALL RAINBOWS AND SUNSHINE AS HE HAS TRIED TO TRICK THE WO [RLD INTO BELIEVING WITH HIS SHOCKINGLY PROMPT (DID MAY HAVE IT TYPED UP AND READY TO GO BEFORE BOWIE EVEN DIED??) POSTHUMOUS PUFF PIECE.

 "About '72 I saw Bowie at the Rainbow," says Brian. "There I was thinking, He's doing it, he's made his mark and we're still struggling to get a record out. It was incredibly frustrating." [SOURCE: http://www.deaky.net/rain/q91E.html]

Though the band sounds lighthearted enough in the studio sessions, the songwriting, May remembers, was fraught with tension. “It was very hard,” he said in 2008, “because you already had four precocious boys and David, who was precocious enough for all of us.” Bowie, says May, “took over the song lyrically” and insisted on presiding over the final mix session, which “didn’t go well,” according to Queen engineer Reinhold Mack. For his part, May has said he would “love to sit down quietly on my own and re-mix it.” (LOL...OF COURSE YOU WOULD, BRI!!) [SOURCE: http://www.openculture.com/2014/06/the-making-of-under-pressure.html]

“‘Under Pressure’ is a significant song for us,” May said in 2008, “and that is because of David and its lyrical content. I would have found that hard to admit in the old days, but I can admit it now…”

NATURALLY, GIVEN BRIAN MAYBEIKILLEDFREDDIE'S SHADY TENDENCY TO KILL OFF LEGENDARY PERFORMERS, EAT THEIR SOULS IN A BID TO FUEL HIS ESOTERIC POWER (AND PAD HIS BANK ACCOUNT), THEN REPLACE THEM, THE OBVIOUS QUESTION MUST BE ASKED: DID COMRADE MAY HAVE ANYTHING TO DO WITH BOWIE'S DEATH?

IT SEEMS OL' BRI IS TRYING PRETTY HARD TO OUTFIT HIMSELF WITH A CONVENIENT ALIBI ("I WOKE UP LATE AFTER A LONG NIGHT --- I WAS SLEEPING THE WHOLE TIME, I SWEARS IT!!!!") AND PROTESTING A BIT MUCH ("I HAD NO IDEA HE WAS CLOSE TO DEATH!! REALLY!!!! PROMISE!!!"). WE HAVE TO SUPPOSE THAT, TRANSLATED FROM MAYSPEAK, "I DON'T KNOW IF I CAN REACT IMMEDIATELY" MEANS "I AM GOING TO POST ONE OF MY SIGNATURE DISINGENUOUS AND NARCISSISTIC 'TRIBUTES' TO MY SOAPBOX AND THEN TURN AND RUN TO THE NEAREST TABLOID WITH A LAUGHABLE AND LONG-WINDED PIECE OF FICTION SO AS TO DRAW ATTENTION AWAY FROM BOWIE AND TOWARD MYSELF! ME ME ME ME ME ME!!!!!!".

HMM...

#NEVER4GET

TAGS: RIP DAVID BOWIE, UNDER PRESSURE, DEADLY JEALOUSY PROBLEMS, MAY IS MURDER, DODO BLOOD MARTINIS, RECENTLY DECEASED LEGENDS FOR MAY TO GIDDILY REPLACE AND PROFIT FROM, DISINGENUOUS TRIBUTES, BLOOD SACRIFICES, POMPOUS POODLE PERMS, PATENTLY FALSE ACCUSATIONS AGAINST JOHN DEACON, CYBERNETIC SLAVES, LIFE ON MARS, TRAGIC EYEBAGS, ANCIENT UNCHAINED EVIL, SENTIENT HAIR, WEAPONIZED BADGER MILITIAS, LYING LIARS AND THE LIES THEY TELL, CYBORG SLAVES AND THEIR HAIRY SATAN-WORSHIPING MASTERS