FREDDIE MERCURY'S ALTER-EGOS, PT. 1: VIDEO DISSOCIATED THE RADIO STAR

WE'VE TOLD THE WORLD THE TRUTH ABOUT SKEKSIS ROCK DEMON BRIAN MAY'S ANCIENT UNCHAINED EVIL.

WE'VE BLOWN THE LID OFF OF HIS FOLLICULAR FABLES.

WE'VE REVEALED HOW MAY DESTROYED FREDDIE IN AN OCCULT BLOOD SACRIFICE DURING A DESPERATE BID TO TAKE HIS PLACE IN THE HEARTS AND MINDS OF THE PUBLIC.

WE'VE EXPOSED HIS SHAMELESS MOCKERY, EXPLOITATION, AND HUMILIATION OF COWS AND FLIGHTLESS BIRDS.

NOW, IN A MIND-BLOWING NEW SERIES, WE THINK YOU SHOULD WILL DELVE INTO THE SHOCKING TRUTHS ABOUT FREDDIE MERCURY AND HIS TRAUMA-INDUCED MULTIPLE PERSONALITIES, OR 'ALTERS' - AND HOW LECHEROUS LIAR BRIAN MAY CONTINUALLY REINFORCED HIS PROGRAMMING - ALL WHILE USING MERCURY AS A TOOL TO FURTHER MAY'S DISGUSTING MASTER PLAN. BE FOREWARNED, MUCH OF THIS WILL BE SERIOUSLY DISTURBING TO MANY OF FREDDIE'S LOVING AND DEVOTED FANS. BELIEVE YOUR EXPERT OPINION ADVISERS WHEN WE SAY THAT EVEN WTYS WAS SHOCKED TO OUR FOUNDATIONS BY WHAT WE UNCOVERED WHILE RESEARCHING THESE DARK THEMES...STILL, THESE TRUTHS MUST BE REVEALED IN ORDER TO FREE FREDDIE'S SOUL FROM BRIAN MAY'S OPPRESSIVE, MURDEROUS LIES, IN ACCORDANCE WITH EXPLICITLY LAID-OUT DEACONIST PROPHECIES. IN THIS SERIES WE WILL COVER:

-FREDDIE'S TRAUMATIC CHILDHOOD RAPE AT BOARDING SCHOOL
-FREDDIE'S KNOWN ALTERS: FAROKKH BULSARA, FREDDIE MERCURY, LARRY LUREX, MOTHER MERCURY, MELINA MERCURY, WHITE QUEEN
-FREDDIE'S TRANSFORMATION FROM 70s TRENDSETTER TO 80s "GAY CLONE"
-THE TRUE MEANING BEHIND MERCURY'S MAGNUM OPUS "BOHEMIAN RHAPSODY"

AND MUCH, MUCH MORE.

IN THIS INSTALLMENT OF OUR LATEST CHERNOBYL-LEVEL BOMBSHELL, WTYS WILL GUIDE YOU THROUGH A VIDEO-SCREENCAP TOUR OF SOME OF THE MOST BLATANT EXHIBITIONS OF PRESIDENTIAL-LEVEL MONARCH SLAVE PROGRAMMING IN MTV-ERA HISTORY. IF YOU ARE NOT FAMILIAR WITH THE NUANCES OF ILLUMINATI MIND-CONTROL, WE SUGGEST YOU READ THE ILLUMINATI FORMULA TO CREATE A TOTAL UNDETECTABLE MIND CONTROL SLAVE.

NOW,  BRACE YOURSELVES FOR THE SHOCK OF A LIFETIME AS OUR SERIES BEGINS WITH...

FREDDIE'S ALTERS PART ONE: VIDEO DISSOCIATED THE RADIO STAR

Calling All Alters

 

We'll start off with one of Queen's most frightening videos, 'Calling All Girls'. In this veritable love letter to dystopian future societies, the band "parodies" George Lucas' THX-1183. Ae see Freddie undergoing trauma-based mind control in what could perhaps be the most blatant display of MK-programming Queen history. Through the course of the video, Freddie is "reconditioned" through physical torture, electro-shock, and imprisonment. Recently, both Permo and his virtual playmate Roger Taylor have openly expressed their disdain for the video, the latter having stated that the video "has nothing to do with fucking robots". If this is true, then why didn't they just nix the idea in the development stages?

Demonic rage flashes in BM's eyes during his scary intro headshot.

Queen at the helm of an oppressive control center.

The cameras represent the all-seeing eye.

Subliminal messages: Freddie is shown with an all-seeing eye.

Traumatized Freddie in a self-protective pose as the computer indicates that he requires reprogramming.

                               Freddie is beaten into submission by transhumanist robotic cyber-cops.

Freddie recoils into fetal position after the traumatic physical abuse.

 An evil-looking May, along with his cyborg slave Roger Taylor and bassist John Deacon, watch over a dazed Freddie in an exam room.

 

Handlers apply electrodes to Freddie during his electro-shock mind control conditioning.

An intimidating May glances tersely at his robotic lackey during Freddie's shock therapy session.

After his physical abuse/mental reconditioning, Freddie is placed into a cage next to a portrait of a mysterious omnipotent ruler.

Mercury is confronted with a sinister baggy-eyed glare through the cage bars of his prison cell.

Freddie's "stability" as a mind-controlled slave is restored after he undergoes the rigorous reprogramming regimen.

Little Computer People

A screencap from "Little Computer People"

Little Computer People, also called House-on-a-Disk, is a life simulation game/god game released in 1985 by Activision for the Commodore 64, Amstrad CPC, Atari ST, ZX Spectrum and Apple II. An Amiga version was released in 1987. A Family Computer Disk System version, published in Japan by DOG (A subsidiary of Square) was also released.

It is essentially a virtual dollhouse, occupied by a "little computer person" (always male) which the player controls. A never-before-uncovered piece of trivia: it was used as a theme in the video for Queen's creepy single "The Invisible Man" from their mega-occult album The Miracle. In the video, the band mysteriously appears in a child's bedroom; at one point, Freddie is imprisoned in a computerized dollhouse, becoming a controllable character in a video game which looks remarkably like the "Sims" predecessor "Little Computer People".

 

 The boy "zaps" Freddie in his pixelated prison cell.

Disturbingly, at one point in the video the young child's room is filled with an army of Brian May clones, one of them is using the Red Special as some sort of laser weapon.

It's a Hard Life (for a mind-controlled slave with Multiple Personality Disorder)

Queen's "It's a Hard Life" video is rife with Illuminati imagery; the thing looks as though it was filmed in a Masonic temple during a ritualistic costume ball. Arches, checkerboard floors, masks, Freddie in an eye-covered leotard (and curiously, a Brian May wig), antlers, a prominently-displayed eight-pointed star, this video pretty much covers all the bases when it comes to Illuminati imagery in music videos.

Freddie, in a costume covered from head to toe in all-seeing eyes, stands in front of an eight-pointed star while a ballerina is frozen in tableau.

Permo slithers up a staircase carrying a coffin-shaped guitar case.

Things take a dark turn as May enchants/hypnotizes the partygoers by playing a demonic guitar.

The permed psychopath concludes his guitar solo mind-assault with a prayer to Satan.

Mercury, now wearing a Brian May wig (indicating who his handler is), sits at a table with fake food, a dead/collapsed body, and a ghostly white Marie Antoinette mannequin.

"The Miracle" of Trauma-based Mind Control

 The video for "The Miracle" features a child doppelganger of Freddie Mercury, who is depicted as various incarnations of Mercury from the beginning of the band to the inception of the album. There is not only a "fragmented Freddie" theme which seems to hint at Mercury's split personae, also there is a prevalent "Freddie Reborn" theme (which is also featured in the haunting "Mother Love" from the posthumous album "Made in Heaven"). On top of the dissociative nature of the video, it seems to convey a (false) message to Freddie: YOU CAN BE REPLACED.

 The children portraying the band were said to have watched hours of Queen videos to perfect their mimicry.

Freddie's child alter: from 70s femme to 80s leather bear.

BM gives the camera a look that could turn a man to stone.

Queen with their child alters; Freddie and his doppelganger are both wearing Marilyn Monroe shirts (representing his diamond programming and status as a Presidential-model slave; the kid who portrays him is probably MK'd). Note how Roger Taylor and his alter are both in duality.

Freddie Mercury, "The Great Pretender"

The theme for "The Great Pretender" seems to be "Freddie's Alters Through the Ages". Confusingly, it features Mercury parading around as several of the alter-egos he has put on display throughout the Queen videography, notably his drag role in "I Want to Break Free", as well as a disoriented Mercury making his way through sea of cardboard cutouts of himself depicting his various personae.

Freddie switches into a female "sex kitten" alter.

Freddie splits in a bizarre, kaleidoscope-like image, representing his shattered self and fragmented personality.

Freddie walks down a white staircase, flanked on both sides by even more cardboard cutouts of himself. At the top of the frame there is an image reminiscent of an illuminated pyramid.

Freddie performs in front of mirrors, common dissociative imagery.

Don't "Back Chat" Your Master



The "Back Chat" video begins with Freddie emerging from and dancing seductively around a mist-filled cage outfitted with a bizarre and dangerous-looking hydraulic pump. Wrenches are used to trigger Freddie with a symbolic taunt: that he was nothing more than a cog in a machine.

May, wearing the tanned hide of a sacred Zoroastrian cow god, conjures up evil energy with his guitar.

Freddie shoots a doppelganger with a particle beam weapon in a disorienting scenario.

The impostor Freddie is stunned by the weapon.

During an attempt to escape the nightmarish dissociation, a cage door traps Freddie, making this the second instance in the video that Mercury is held captive behind bars.

Now I'm Here.....or am I?

Even before they were doing official videos, Permo managed to find a way to squeeze dissociative triggers in during Queen's onstage antics. When the band would do a live performance of  "Now I'm Here" (written by May during his hospitalization for hepatitis), a double was used with lighting cues to create the illusion that Mercury was disappearing from one side of the stage and reappearing on another. The double was actually their road manager, dressed with Mercury's outfit and a wig.


MORE TO COME SOON IN FREDDIE'S ALTER EGOS PART TWO: BOHEMIAN RHAPSODY, THE DEATH OF FARROKH BULSARA

TAGS: FREDDIE MERCURY'S ALTER EGOS, EVIL BAGGY-EYED GLARES, DISSOCIATION, DOPPELGANGERS, BRIAN MAY WIGS, SCREEN-CAP TOURS, SKULLDUGGERY, AMAZING ANGELS, ANCIENT DEMONS, INCANTATION, ECTOPLASMIC SPASMS, POSSESSED GUITARS, COW AND SOCK FARMS, MY HOSE IS MY OWN, THERE IS NO COKE BOTTLE DOWN THERE, DRAG BRIAN MAY TO HELL, THE ILLUMINATI FORMULA TO CREATE A COMPLETE UNDETECTABLE MIND CONTROLLED SLAVE, WILD GRAPE POP-TARTS,  FREDDIE MERCURY MIND CONTROL VICTIM, DEACONIST PROPHECIES, PUPPET MASTERS, ESOTERIC SYMBOLISM, THE DEMON OF DISHEVELED HAIR, FUCKING ROBOTS, GESTALT IMAGERY, TRANSHUMANISM, DYSTOPIAN SOCIETIES, ME AND MY DADDY ESCORTED A FROZEN ONE