BRIAN MAY: THE SALIERI CONNECTION: GENIUS vs. MEDIOCRITY

Left: Academy Award winning actor F. Murray Abraham portrays composer Antonio Salieri in the film Amadeus. Right: Build Your Own Boat co-founder Brian May channels the actor's haunting performance by playing dress-up in wizard drag.

FIRST, WE THINK YOU SHOULD REVEALED THE STARTLING SIMILARITIES BETWEEN ROCK DINOSAUR BRIAN MAY AND THE FICTIONAL SKEKSIS RACE. NOW, IN YET ANOTHER REVELATORY EXCLUSIVE, WTYS WILL SHOW YOU THE OBVIOUS, YET NEVER BEFORE PUBLICLY NOTED SIMILARITIES BETWEEN FAKE DOCTOR/SELF-PROCLAIMED "SCIENTIST" BRIAN H. MAY AND ANOTHER JEALOUSY-PRONE COMPOSER HISTORICALLY ACCUSED OF MURDER: ANTONIO SALIERI. JUST TRY TO TAKE IN ALL OF THE STARTLING FACTS (BE SURE TO PRAY AGAINST PSYCHIC ATTACK FIRST).

-BOTH MEN WERE COMMITTED TO A LOONY BIN
-BOTCHED SUICIDE ATTEMPTS/SUICIDAL TENDENCIES
-SERIOUS FEELINGS OF INADEQUACY/MEDIOCRITY COMPARED TO GENIUS PEER
-JEALOUSY ISSUES
-DEATHBED VISITS
-MOZART ALLEGEDLY POISIONED WITH MERCURY
-BOTH WIDELY ACCUSED OF TRICKERY
-FREDDIE AND MOZART WERE FREEMASON SACRIFICES
-RACKED WITH GUILT
-"THE SHOW MUST GO ON"/THE REQUIEM

THE PATRON SAINTS OF MEDIOCRITY


[THIS SCENE IS EASILY RE-IMAGINED AS A SCENARIO DURING MAY'S COMMITMENT TO AN ARIZONA LOONY BIN]

Priest: [enters May's loony bin cell] Herr May?

BM: [clumsily fumbling with ukulele in corner] Leave me alone.

Priest: I cannot leave alone a soul in pain.

BM: Do you KNOW who I am?

Priest: It makes no difference. All men are equal in God's eyes.

BM: (sinister, baggy-eyed, incredulous glare) Are they?

Priest: Offer me your confession. I can offer you God's forgiveness.

BM: How well are you trained in music?

Priest: I know a little. I studied it in my youth.
BM: Then you must know this! [*coughs, cackles, singing in whispery, cracked voice - pulls out ukuele*] Take good care of what you've got my FAAHTHER said to mee....take care of those you call your own and keep good company...
Priest: I....can't say that I do...what is it?

BM: [enraged] IT WAS A VERY POPULAR TUNE IN IT'S DAY! I wrote it... Here, what about this one..

Priest: [sighs]

BM: This one brought down the house when we played it...*whispery, off-pitch singing* Sleepin' on the sidewalk....

Priest: [visibly upset] I regret it is not too familiar....

BM: CAN YOU RECALL NO MELODY OF MINE? I WAS THE MOST FAMOUS COMPOSER IN EUROPE! I WROTE 40 GEORGE FORNSBY NUMBERS ALONE! .....Here, how about this one...*attempts Bohemian Rhapsody guitar solo on ukulele*

Priest: [relieved] Yes, yes! I know that! Oh, that's charming! I'm sorry...I didn't know you wrote that...

BM: [sinister, dramatic pause] I didn't. That was Freddie....Freddie Mercury.

Priest: [frightened] ...The man you accuse yourself of killing?

BM: You've heard that??

Priest: For God's sake my son. If you have something to confess, do it now. Give yourself some peace.
BM: He....he was....my idol.

ACCUSATIONS OF TRICKERY

Readers of WTYS are well aware of Permo's penchant for sinister trickery and usage of electronic witchcraft.

- In December 1789, Mozart wrote to his fellow Freemason and benefactor, Puchberg, that next time they met, he would tell him about Salieri’s plots “which, however, have completely failed.” - In July 1783 Mozart wrote to his father of  “a trick of Salieri’s”, one of several letters in which he accused Salieri of trickery. Decades after Mozart's death, a rumour began to circulate that Mozart had been poisoned by Salieri."

DO YOU FEEL LIKE SUICIDE? (WE THINK YOU SHOULD)

Both May and Salieri have/had suicidal tendencies

BRIAN MAY'S PREOCCUPATION WITH SUICIDE IS CLEARLY EVIDENCED IN THE WTYS BANNER IMAGE, WHERE THE GERI-CURLED PSYCHIC ATTACK PURVEYOR IS SEEN TO WEAR A BALL-CAP ODDLY EMBLAZONED WITH THE WORD "SUICIDAL", AN OBVIOUS (AND BIZARRE) FORKED-TONGUE-IN-CHEEK REFERENCE TO HIS OWN MORBID THOUGHTS OF KILLING HIMSELF (WHICH IS PRETTY MUCH AN IMPOSSIBLE TASK FOR A SOUL-LESS, ANCIENT IMMORTAL SHAPESHIFTING DEMONIC REPTOID). MAY WAS INSTITUTIONALIZED IN ONE OF MOST EXPENSIVE DRUG REHAB/LOONY BINS IN THE WORLD, THE COTTONWOOD CLINIC IN ARIZONA. MAY HAS STATED IN INTERVIEWS THAT HE CONTEMPLATED SUICIDE DUE TO FEELINGS OF "FAILURE", AND ALLEGEDLY (LIKELY A BID TO GARNER PUBLIC SYMPATHY), GRIEF OVER MERCURY'S DEATH (SACRIFICE). MAY ALSO ADMITTED IN AN INTERVIEW WITH THE DAILY MAIL THAT THE DOCTORS AT THE CLINIC EXPRESSED DOUBTS THAT THE AFFLICTED GUITARIST'S CLAIMS THAT HE HAD "NEVER DONE DRUGS" WERE TRUE. IRONICALLY, BEFORE HIS MURDER, FREDDIE HAD WRITTEN A SOMEWHAT DISINGENUOUS SONG, TEASING MAY ABOUT HIS CONSTANT DOOM-AND-GLOOM ATTITUDE, A TUNE FROM QUEEN'S "THE GAME" ALBUM MOCKINGLY ENTITLED "DON'T TRY SUICIDE". 

 "IT WOULD CLAMP DOWN ON ME LIKE A FOG. A BLACK FOG."  - MAY ON HIS SICK, SUICIDAL THOUGHTS 


AN EXCERPT FROM THE ESSAY "SALIERI AND THE MURDER OF MOZART" ILLUSTRATES THE CONNECTION BETWEEN THE TWO JEALOUSY-PRONE COMPOSERS:
"On October 14, 1791, in his last surviving letter, Mozart wrote to his wife, Constanze, at Baden that he had taken the Italian composer Antonio Salieri and the singer Madame Cavalieri to a performance of The Magic Flute, and that Salieri had been most complimentary: “from the overture to the last chorus there was not a single number that did not call forth from him a bravo! or bello!” Less than two months later, Mozart was dead. The Musikalisches Wochenblatt, in a report from Prague written within a week of the composer’s death, mentioned rumors of poisoning based on the swollen condition of his body. Suspicion was gradually to focus on Salieri, who, despite his recently professed delight over The Magic Flute, had for a decade been an implacable rival of Mozart in Vienna. In the years prior to Salieri’s death in 1825 the rumors of his recourse to poison as a final weapon of rivalry were fed by reports that Salieri, while in failing health, had confessed his guilt and, in remorse, had attempted suicide."

THE DEATH MASSES

Both Mozart and Mercury were commissioned to slave away on morbid works which signaled their death knell.

  My plan was so simple. It terrified me. First I must get the death mass and then...I must achieve his death.

IN THE FILM AMADEUS, SALIERI MASQUERADES AS THE SPECTRE OF MOZART'S DEAD FATHER, LEOPOLD, AND ANONYMOUSLY COMMISSIONS MOZART TO WRITE A REQUIEM MASS FOR AN UNDISCLOSED INDIVIDUAL IN A BID TO WORK THE ALREADY PHYSICALLY AILING COMPOSER TO AN EARLY GRAVE.

"It's killing me"

MOZART WAS DOCUMENTED TO HAVE STATED SEVERAL TIMES THAT HE FELT AS THOUGH COMPOSING THE REQUIEM WAS DRAINING HIS LIFE ESSENCE:

“Mozart began to speak of death, and declared that he was writing the Requiem for himself. Tears came to the eyes of this sensitive man. ‘I feel definitely,’ he continued, ‘that I will not last much longer; I am sure I have been poisoned. I cannot rid myself of this idea.’”

INDEED, MOZART DID NOT LIVE TO FINISH THE HAUNTING MASTERPIECE. IN AN EERIE PARALLEL, FREDDIE DID NOT LIVE TO FINISH THE TRACKS ON QUEEN'S SWAN SONG ALBUM "MADE IN HEAVEN"; THOSE TRACKS WERE COMPLETED IN THE STUDIO BY THE CONTROLLING HANDS OF BRIAN MAY.

Mozart: "Confutatis maledictis" - when the wicked are confounded. "Flammis Acribus Adictis." How would you translate that?
Consigned to flames of woe.
Mozart: Do you believe in it?
Salieri: What?
Mozart: A fire which never dies, burning you forever?
Salieri: Oh yes. 

A haunting lyric from May-composed death mass "The Show Must Go On"

 IN REAL LIFE, BRIAN MAY DIDN'T NEED FRIGHTENING SYMBOLIC COSTUMERY TO TAUNT FREDDIE ABOUT HIS IMPENDING DOOM; MAY DID THIS FOR ALL TO SEE BY FORCING AN ILL MERCURY TO CONFRONT HIS MORTALITY IN EMOTIONALLY TAXING SONGS SUCH AS "WHO WANTS TO LIVE FOREVER?" AND "THE SHOW MUST GO ON". AS A MATTER OF FACT, MAY ALLEGED IN A VIDEOTAPED INTERVIEW THAT FREDDIE WOULD CONTINUE TO WORK, QUOTE, "UNTIL HE FUCKING DROPS".

Rich Uncle Eyebags failing miserably to conceal his sheer elation at Freddie's mysterious funeral.

GODLESSNESS AND BLASPHEMY

Salieri burning the cross in a blind jealous rage.

 [addressing a crucifix] " From now on we are enemies, You and I. Because You choose for Your instrument a boastful, lustful, smutty, infantile boy and give me for reward only the ability to recognize the incarnation. Because You are unjust, unfair, unkind, I will block You, I swear it. I will hinder and harm Your creature on earth as far as I am able. I will RUIN your incarnation."

BOTH "NON-RELIGIOUS" (BUT CLEARLY SATANIC) MAY AND SALIERI SEEM TO HAVE DENOUNCED GOD DUE TO THEIR EPIC JEALOUSY ISSUES. MAY ALSO NOTORIOUSLY CONSIDERED FREDDIE A CHILDISH LIABILITY, CALLING HIM "DANGEROUS", "SCARY", AND "A MADMAN" AMONG OTHER THINGS, AND QUESTIONING THE DAMAGE THAT FREDDIE'S PERCEIVED FLAMBOYANT IMAGE COULD HAVE CAUSED THE BAND, SIMILAR TO SALIERI'S OPINION THAT MOZART WAS NOT SOPHISTICATED ENOUGH IN BEHAVIOUR TO DESERVE THE TALENT THAT GOD BEQUEATHED UPON HIM.

Ethereally talented, stunningly gorgeous, and notoriously well-endowed, it's easy to see how Freddie became the victim of Brian May's fatal jealous rage.

 "Looks don't concern me, maestro. Only talent interests a woman of taste."

MASONIC BLOOD SACRIFICES

Mozart in a Masonic lodge in Vienna.

 WTYS HAS ALREADY DELIVERED AN IN-DEPTH EXPLANATION ON THE HOWS AND WHYS OF FREDDIE MERCURY'S RITUALISTIC BLOOD SACRIFICE FOR FAME/FORTUNE/IMBUING OF SATANIC POWER BY POODLE-PERMED PERVERT BRIAN MAY (HE PROBABLY WAS ALSO RESPONSIBLE FOR THE SACRIFICE OF HIS 'SATAN'S SERENADE' PLAYMATE COSY POWELL, BUT THAT'S ANOTHER POST FOR ANOTHER DAY). LET'S TAKE A LOOK INTO HOW THIS RELATES TO THE MOZART/SALIERI MURDER SCENARIO:

"Your... merciful God. He destroyed His own beloved, rather than let a mediocrity share in the smallest part of His glory."
 
 THERE ARE TWO PRIMARY THEORIES REGARDING MOZART'S MURDER. THE FIRST A "RITUAL MURDER" IN WHICH MOZART WAS SACRIFICED TO THE DEITIES; THE SECOND, A PUNISHMENT OF MOZART BY THE FREEMASONS WITH THE PARTICIPATION OF SALIERI FOR THE CRIME OF HAVING REVEALED MASONIC SECRETS IN "DIE ZAUBERFLOTE".

A scene from Mozart's esoteric masterpiece "The Magic Flute"

 "German writers have produced a tradition that Mozart was murdered by his Freemason brethren. ... Mozart had not fully carried out Masonry’s “party line” in The Magic Flute. ... Mozart had hidden under the pro-Masonic surface of the opera a secret counterplot which depicted Mozart (Tamino) seeking the release of Marie Antoinette (Pamina) from her Masonic captors. ... the Freemasons had also murdered Lessing, Leopold II, and Gustav III of Sweden (who was assassinated at the famous masked ball only a few months after Mozart’s death)."

The book "Gewiss, man hat mir Gift gegeben" (“I am sure I have been poisoned”), supports the condemnation of the Masons by the following syllogism: (1) Mozart was a Mason; (2) the Masonic lodges claimed the right to sentence disobedient members to death; (3) Mozart was a disobedient member; and (4) the execution of the Masonic death sentence is evidenced by Mozart’s death, the manner in which he died and the circumstances of his burial." 

"Rossini, when he had induced Salieri to take him to visit Beethoven at his Vienna home, was angrily turned away at the door with the words: 'How dare you come to my house with Mozart’s poisoner?'"

 THE VOICE OF GOD

ONE DIFFERENCE BETWEEN THE TWO BLOODTHIRSTY MUSICIANS WAS NOTED BY YOUR EXPERT OPINION ADVISERS. WHILE SALIERI OPENLY ADMITTED HIS INFERIORITY AS AN ARTIST COMPARED TO THE LEGENDARY MUSICAL GENIUS JOHANNES CHRYSOSTOMUS WOLFGANGUS THEOPHILIUS MOZART, MAY SEEMS TO BE DELUDING HIMSELF (AND USING HIS SATANIC POWER IN AN ATTEMPT TO TRICK OTHERS) INTO BELIEVING THAT HE IS, ESSENTIALLY, REPLACING FREDDIE MERCURY. IN FACT, IT SEEMS THAT MAY FALSELY VIEWS HIMSELF TO BE EVEN MORE TALENTED AND HISTORIC THAN MERCURY. MAY HAS SAID VERBATIM "BOHEMIAN RHAPSODY IS NOT THE BIGGEST THING WE'VE EVER DONE", DOWNPLAYING MERCURY'S LEGENDARY, ANTHEMIC MAGNUM OPUS. MAY EVEN SEEMS TO HAVE FOOLED HIMSELF INTO THINKING THAT HE, NOT MERCURY, WROTE SOME OF FREDDIE'S SONGS, NOTABLY 'LOVE OF MY LIFE', WHICH MAY HAS PRETTY MUCH TAKEN AS HIS OWN, ASSUMING FREDDIE'S VOCAL ROLE WHEN PLAYING THE TUNE LIVE, SPOTLIGHT TIGHTLY FIXATED ON THE MANGY-HAIRED NARCISSIST.YOU DECIDE, WHO'S THE BIGGER TALENT HERE?

FREDDIE'S AMAZING PERFORMANCE OF THE SONG THAT HE WROTE:

BM'S BOTCHED ATTEMPT AT USURPING THE FALLEN LEGEND:

BM TRULY TAKES TO THE SPOTLIGHT LIKE A HOG TO A SLOPBUCKET IN THIS AWFUL JOKE OF A PERFORMANCE. HE MIMICS FREDDIE'S TRADEMARK PERFORMANCES IN SUCH A DEGRADING WAY. SICK.

THE LAST LAUGH 




TAGS: JEALOUSY, A MODERN DAY AMADEUS TALE, MOZART AND FREEMASONRY, RITUAL SACRIFICES, BRIAN MAY CONNECTIONS, POODLE-PERMED PERVERTS, SEXY DEATH SCENES, REQUIEM MASSES, USURPATION OF POWER, EERIE PARALLELS, ANCIENT UNCHAINED EVIL, TOM HULCE ILLUMINATI CASTOFF?, MASONIC SECRETS, MASKED BALL ASSASSINATIONS, GODLESS HEATHENS, DEACON AS THE SAVIOUR, DEACONISM, MERCURY POISONING, THE BILLY CORGAN CONNECTION, ARIZONA LOONY BINS, BRIAN MAY DRUG LIES, THE MAGIC FLUTE, LUDVIG VAN BEETHOVEN, ELECTRONIC WITCHCRAFT, SHOCKING CONFESSIONS, DON'T TRY SUICIDE, DELUSIONS OF GRANDEUR, TRAGIC MURDERS, F. MURRAY ABRAHAM, JEALOUSY-PRONE COMPOSERS, SAMSON AND DELILAH, STARTLING SIMILARITIES, MURDEROUS MAESTROS